Friday, 28 November 2014

REVIEW: Lindsay Lohan in Speed-the-Plow





It’s safe to say that Lindsay Lohan has lead a colourful life over the past few years and has earned quite the name for herself as a troubled Hollywood party girl. The last year or so, however, has seen Lohan try and make an effort to rid herself of this reputation and get back to  the star-status she once had, when she was celebrated for actually being a talented actress (hopefully this is the last time, 6 rehab stints? Come on hun.) This effort has been backed up with a role in David Mamet’s Speed-The-Plow which has been running at London’s Playhouse Theatre for the last couple of months, something she hopes has gained her back some much needed credibility. 

The audience wasn’t as full of die hard Lohan fans as would perhaps be assumed. Saying this, the Mean Girls and The Parent Trap quoting was heard throughout the evening, for example when Lohan graced the stage in a black polka dot mini dress someone whispered ‘On Thursday’s we wear black’. These quiet heckles were just a testament to how iconic Lohan’s early films were to a certain generation. One thing has been clear from the mixed reviews the starlet has received, it’s that she does possess actual star presence. And it’s true when she entered the stage, the audience took notice, although perhaps this was because a good percentage of onlookers knew who Halle Parker was or that it isn’t appropriate to wear sweat pants on Monday. Either way Lohan looked great, if a little enhanced, perhaps this is a sign of the healthier lifestyle she is now apparently living.


Her performance, although slightly shaky at the start, eased up and flourished as the evening continued. Playing the seemingly naïve but ultimately manipulative and ambitious Karen (a role first played by Madonna in 1988), Lohan exhibited enough range to show this duality in her character. At times her lines felt a little rushed, although it could be argued this was a part of Karen’s desperate manner and the density of Mamet’s script.  By the final scene Lohan was holding her own beside her two co-stars Nigel Lindsay and Richard Schiff, who both gave stellar performances as the two greedy Hollywood producers Lohan’s character tries to have one over on. All in all for someone that’s not a stage actress Lindsay Lohan gave a good performance, shaky and unsure at times but good enough to put her back on the map. With the show closing very soon only time will tell whether this change in direction will pay off.



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